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I visualize this timing most likely established during the Palladium era but I have not validated that. Eddie Torres started showing and popularizing this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing educator, that helped him develop his strategy and timing.

The tale I'm constantly told here, that still requires more examination, is that as salsa began getting to brand-new audiences beyond the Caribbean and New York City, it was much easier and much more intuitive to educate social outsiders to dance On1 instead of On2. However, this story does not account for the reality that I have actually heard Rueda de Casino site was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of different salsa timings you can dance to and it is one of the most usual timing you'll locate worldwide today. Salsa On1 timing definition: "On1" implies you start dancing on the very first beat of bench of music the 1. Your break steps (direction modifications) are on beats 1 and 5.

The exceptions I've discovered until now, where On2 is most typical, would be around New York and in South Korea (Salsa Dance San Francisco). I make certain there are various other areas that dance primarily On2 however I haven't danced in every country yet! If you're not exactly sure what timing is most common where you live, ask your neighborhood dancing workshop

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When someone claims "I dance salsa On1" they possibly mean "I dance linear style salsa On1" (although you can dance any type of design of salsa On1, people generally mean straight style). Do not worry if you have actually stated these things before, it's all excellent we all have! The important point is to keep in mind there's a distinction between design and timing and strengthen your understanding so you can be extra precise when speaking about salsa with your pals.

It connects perfectly with the phrasing in the songs, specifically the piano, and various other percussion instruments like the cow bell and giro. Timing and style are two various things, so different the ideas when you discuss salsa with your good friends. No matter what timing is most typical in your area of the world, remember you can practically dance any kind of style of salsa to any kind of timing explore and appreciate! Want a lot more? Have a look at this deep dive on the difference in between dance salsa On1 vs On2 when dancing a tiempo.

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Although there is an original mambo dance that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when someone says "I dance mambo" they mean salsa On2, which is different than the initial mambo dancing. The erratic free-from steps of the original mambo were danced solo.



Which's what we refer to as mambo or salsa on2 today. As the dance began to spread, On1 timing began to come to be preferred. Salsa On2 interpretation: "On2" suggests you begin dancing on the very first beat of bench of songs the 2. Your break actions (instructions adjustments) get on beats 2 and 6.

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A great deal of dancers enjoy dancing On2 for the diverse methods you can attach to the songs. Son cubano is the music and dance that preceded mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dancing On2 contratiempo however you add the three-way action on 4 and 8. Danced to the exact same beats as On1, your break steps are now on 2 and 6, which alters the feeling of the dancing.

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It connects well with the conga and cowbell. https://folkd.com/link/Dance-Fridays. This timing is virtually the same to contratiempo On2 but the actions that are normally on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In fact it appears it's commonly danced as kind of a "blunder" for any individual dancing the previous two timings.

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No matter, individuals talk concerning it so below it is (https://yoomark.com/content/httpswwwdancefridaysfun). As discussed earlier, this was the first analysis of dance on clave (kid clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. They described it as "dance on clave" as it was before people described it as "dance On2." The idea is to align as lots of actions of your fundamental as possible with the strikes of the son clave.

The thing about songs and dance is that there is no right or incorrect. There is just interpretation. You can dance on any kind of timing you like! Normally, people have located a way to dance on almost every timing feasible to child and salsa songs. People dance On3 for the very same reason you dance On1 because it stresses the strong beats of 1-3-5-7.

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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in vibrant) Let's check out the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is begin tipping On3 as opposed to On1.

That's why dance On3 is so common in Latin America. People either Try to dance On1 however begin tipping On3 by crash and it functions out just fine, or They don't understand much regarding timing and are simply analyzing what they listen to in the songs, based upon their experience expanding up in a culture with salsa.

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